"They might be although, I’d got away from listening to Hendrix quite a bit by that time and I’d like to think that that was more sort of developing my style really. Particularly the solo bit in the middle, which I’d been doing on the ‘Mott The Hoople’ tour and sort of gradually expanded and has got more and more ever since. Although, I keep trying to throw it out it keeps creeping back in. That involves the repeat device actually using it in time, which I don’t think, had been done before up to that time. It’s a very nice device to work with because you can build up harmonies or cross rhythms and it’s not a multiple repeat like Hendrix used or even The Shadows used, which is fairly indiscriminate, sort of makes a nice noise. But this is a single repeat, which comes back, and sometimes I’ll add a second one too. So you can actually plan or else experiment and do a sort of “Phew” type effect. So that was at it’s very beginnings on ‘Brighton Rock’, and became more developed after that."

Brian May - 1983, BBC Radio One